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Golden Drop capsule innovation
True electrostatic Golden Drop™ capsule provides crystal clear and transparent sound without harshness.
High quality performance
Class A discrete electronics for maximum performance, durability and extremely low self-noise.
Handcrafted quality
Built by hand, using only the best, most carefully selected electronic components, each and every JZ Microphones product allow you to fully capture the very essence of the performance.
Inspired by Earth
Deliver warm, natural, and grounded sound with depth.
Power You Hear
The secret behind every JZ microphone lies in the perfect harmony between art and science.
Trusted by over 15,700 producers and Grammy winners worldwide
Kevin Becka
MIX Magazine
V67 midrange repeatedly blew me away with its rendition of the instruments I tried it on. It excelled on guitar amps, over a drum kit, on tenor saxophone and with male vocals. It’s been awhile since I’ve heard a mic that worked so well across a wide range of applications.
verified user
Paul White
Sound on Sound
The Vintage 11 sounds very natural — the highs are all present, but without clawing at your eardrums, as they seem to do with some mics. The output responds well to EQ, which is helped by the very low self‑noise
verified user
Rob Tavaglione
PRO Audio Review
V67 and V47 do delightful things to voices and acoustic instruments: colorful, artistic things that are best suited for those with big mic closets housing more neutral offerings, when "natural" is what you need.
verified user
Thom Russo
16 Grammy Awards Winner
I found the entire line of JZ microphones to be a substantial step forward into new microphone technology, that not only compares to the "classics" we have all grown to love, but in some cases, almost beats them.
verified user
Rafa Sardina
19 Grammy Awards Winner
Having worked in so many session over the years I have to say it was really exciting to do some out of the ordinary sessions for Lady Gaga using some of my new toys, the JZ mics V47 and V67 microphones. They excel in so many uses, from acoustic bass, to amplified bass, or vocals, strings, and guitar. I ended up naturally gravitating towards them, even though I had a great vintage microphone selection to my disposal.
verified user
Joe Chiccarelli
U2, The White Stripes
I'm impressed with the V67. We are using it for a lot of the lead vocals on Christina Perri's album. We go back and forth between the V67 and a vintage U67 from Sunset Sound. It truly lives in the same family as the original. Certainly a more open , hi-fi modern version of the tube.
verified user
The Difference Between Microphones
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Overall rating: 4.8461537 / 5 from 13 reviews.
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"You can write books about mics and their differences but for my voice this mic has the most pleasing fit of character. I own the V11, the Blackhole 2, Amethyst and a set of BT202s and for vocals this would be my first choice. It also does really well on guitars, accoustic as well as cabinets, drums or overheads. So a good mic that has an overall use but still a distincive sound. One of my favorites."
"Love this mic. Being a recordist/producer on a budget, could not obviously afford the top league mics everybody would be prising, but now, thanks to JZ, I have a nice arsenal, comprising the V12, along with V11, BH2, V47 and Amethyst, and I can tell you, I feel like belonging to the top league. The V12 is my latest acquisition, and I am fully enjoying my honemoon with it"
"The microphone is good but kind of distorted in the 4/5khz area"
"Hello, I didn't know until now that our neighbors make such high-quality microphones:)(I am from Lithuania) My colleagues advised me to try it. I haven't tried this microphone yet for recording various voices and acoustic instruments, but it works better for my own voice than the microphones I had before. This one really sounds luxurious. I think it's a really great price-quality ratio."
"I finally like how my guitar sounds after recording. I have a Taylor 12-Fret-GCce-FLTD Quiled Sapele Series and neither with the Neumann 87 nor the akg 414 did I get the same sound as with the jz v 12. The body also appeared, the full sound sounds close. No more crappy sound. I used to use ribbon at 4081 to have a softer sound, but I lacked that body, closeness of sound, especially if the guitar dominates and there are not too many instruments. I also tried the male vocal, which has a timbre, but is not full and strong by itself, and I got fullness in my voice. I used an Avalon 737 sp as a preamp. It will be interesting to try for a female voice, drums and with other preamps. Great microphone. It has character and is completely different from the others I have, it will complement my color palette. Thanks brothers! Greetings from Lithuania."
"Absolutely brilliant, no more words needed."
"Fantastic michrophones! I love them!"
"Beautiful recording outcome Highly recommended"
"Beautifully transparent, especially on acoustic instruments and able to capture the nuances at different parts of a guitar neck / body without sounding harsh. Sweet spot appears to be just into the proximity effect range for vocals, but requires a skilled and pretty motionless singer to capture this. Better to back off and use a vintage EQ like a Neve to achieive the same whilst allowing movement. Off axis is pretty good, too, and I expect it to function well as a room mic - somewhere between a U67 and U87. Overall, very well executed mic. Could do with updating the Vintage manual soon - there's no reference to it in the current one (I had to check about removing the transport screw elsewhere). And you need to use a boom mic for most use cases - the range of adjustment on the mount is not bad, but limited."
"World class mics, absolutely."
